english • Craft and Structure • Hard

Rejecting the premise that the literary magazine Ebony and Topaz (1927) should present a unified vision of Black American identity, editor Charles S. Johnson fostered his contributors’ diverse perspectives by promoting their authorial autonomy. Johnson’s self-effacement diverged from the editorial stances of W.E.B. Du Bois and Alain Locke, whose decisions for their publications were more ______blank.